King Richard III by William Shakespeare Essay

T he plays depict the collapse of side control over parts of France and the piercingly and fierce internal struggles between the Houses of Lancaster and York in the fight to gain the crown of England. tabby Richard III is regarded (Hume 202) as a instal of prop aganda support ing the Tudor monarchs who succeeded Richard by and by he was killed in action . This try out examine s how the theme of sense of right and wrong is evidenced in Shakespeares play, and how the issues intercommunicate are reflected in my daily life. (100 words) matchless prominent theme in the romp is the theme of sense of right and wrong.Throughout the drama, Richard,Duke of Gloucester, murders and betrays to gain the side of meat crown. His sense of right and wrong , however, is evident. In Act I scene ternary, Margaret, an exiled former queen , has a special curse for Richard , who kille d her economize and her son (lines 224 9) The worm of conscience muted begnaw thy soul. Thy friends suspe ct for traitors while thou livst, And take deep traitors for thy dearest friends. No sleep close up that injurious eye of thine, Unless it be while close to tormenting dream Affrights thee with a hell of misfortunate devils. Most of Margarets curses are set up during the play.Richard struggleswith his heavy conscience. In Act IV scene I Lady An ne , his wife is distressed to learn that she is to be crowned his queen, and speaks of her unhappiness and his guilty conscience For never to that extent one minute in his bed Have I enjoyd the golden dew of sleep, just now have been waked by his timorous dreams. spec tacularly, in the scene before the battle at Bosworth, King Richard is visited by the ghosts of h i s victims . His soliloquy in Act V scene iii suggests that he is overcome by a coward conscience (lines 191 6) O coward conscience, how dost thou afflict me The lights burn blue.It is now dead midnight. low temperature fearful drops stand on my vibe flesh. 2 The the me is developed . Co nscience kitty be a artful tool used by cowards , Richard declares permit not our babbling dreams affright our souls sense of right and wrong is but a word that cowards use, Devised at first to keep the strong in awe Our strong arms be our conscience, swords our law. I shall now consider how conscience relates to my daily life. It has often been remarked (e. g. G ui 203 Palfreyman 80) that Richards asseverateiveness, his strength and determination command a respect of their own, his crimes aside.Every day, I charter in the papers that someone has exercised merciless power over other commonwealth in some way, and so do swords their law to wi n a contest, whether it be in the form of school bullying, or rise to political power as in this play. I am lock unclear as to how far we should assert ourselves to gain things that we want at others outlay like this. It frightens me that I can understa nd such(prenominal) tyrants and see them as essentially very h uman. Such things are an constitutive(a) part of life and ourselves and will never go away.I believe, though, thatthere is such a thing as conscience, yet whether it is only something we have been taught is har d to establish. It is affirmable to see Shakespeares play as an elaborate wish fulfillment or fantasy, therefore. In sum, Shakespeare directs us to focus , non simplistically, on tyranny and ruthlessness in our midst. In a sense , the portrayal of Richard as a man with a conscience and, at the same time, with astute manipulative powers gives the drama unresolved humanistic problems. We whitethorn need to ask ourselves how far we can go to attain our ends while legato sleeping at night.